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Premium Sounds: RawVermona

Raw Vermona inaugurates a new concept in sample library development. Most contemporary sample packs focus on highly undynamic samples. Audio-destructive processes like normalization and digital compression are the norm rather than the exception. There is a loudness war going on in the sample world and everybody is on the same one-way-only train: my library has [...]

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Captura de pantalla 2011-12-25 a las 02.45.00

Premium Sounds: SweetChords Vol1

Moog and Rhodes lovers, this is for you! If you enjoy the sound of pure analog circuitry sweetened through juicy Moog filtering, and the bell-like tones of a fine-tuned Fender Rhodes playing your favourite chords, -plus, if you wouldn’t mind to have a bunch of nicely-cut dusty vinyl sounds as a bonus!- This is definitely [...]

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Positif Synth School Vol.5 – Simian Mobile Disco “Are You In The Picture” on an Oberheim SEM

 

If you have heard Simian Mobile Disco’s track “Are you in the picture” from the “Extra Temporary EP” you might have noticed some synthetic liquid drops at the end of the track (5:40 or so).

I recently got myself a new TomOberheim SEM, and this sound seemed like a good candidate to push the limits of the synth.

To get this liquid drop sound you have to:
0 – Send CV to VCO1 and gate to ENV2 GATE
1 – Hard sync VCO2 to VCO1.
2 – Tune VCO2 to it’s lowest possible pitch and VCO1 to it’s highest pitch.
3 – Modulate VCO2’s pulse wave (PWM set to 90%) with ENV2 (settings : Fastest attack & decay. Mid sustain). (ENV2 should also affect VCA, so make sure vca switch i NOT on “EXT” -aka:open- setting)
4 – Send VCO2’s pwmed wave to the filter (vco1 should be muted)
5 – Set filter to BANDPASS. Frequency at max and cutoff close to max.
6 – Send ENV1 out (Fastest attack. Medium decay & sustain) to filter modulation EXT MOD IN. Set filter mod to EXT and set it on inverted (aka minus/negative) setting.

7: ENJOY! Now you can play with filter freq, env1’s decay and the filter modulation controls to create variations on the sound. Also a little reverb can do wonders (I used ableton’s stock plug, nothing fancy).

Spaced Shadows (Roland RE-201 abstract stuff)


Here is a little kit containing “shadow sounds” for putting under your beats.

But what are those called “Shadow Sounds”?

We connected our favourite percussion kits on the MPC and played them thru the Roland RE-201 Space Echo.
The result are rhythmic textures and delayed effects to use as layers to support your main drum programming.
There are 39 sounds, ranging from long snare reverbs, delayed hi-hats, and lots of other weird dub effects!

Enjoy!

WigSpaced Rhodes

I’m recording and producing a friends album this week.

There is a lot of Rhodes and piano on it.
Yesterday we recorded a beautiful Rhodes track, but finally, we decided to throw it out and play some synth chords instead of the Rhodes.
The chords are beautifull, so.. why don’t share them with all the HelloSamples family?

The Rhodes was played passing thru an EHX Wiggler Valve Tremolo, and a subtle touch of Roland RE201 Space Echo.
Recorded with an Universal Audio 6176 Preamp. Very subtle compression too.

Also, there are some single notes played at the same scale the chords were played. So you can easily have fun with this little kit!

Enjoy it!

 


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