Raw Series 3 Analog Tempest is here!
Based on the hybrid analog/digital drum machine of the same name, this huge and versatile library will overdose your poor sampler.
We have maintained our “raw” philosophy, carefully sampling the drum machine with top class preamps without further compression or processing. You already know that dynamic range is key! But… We decided to make a twist and give you the opportunity to use layered kits and add further processing to the Kits with the onboard FX available in your DAWs.
The result is an incredible versatile and organic sounding library!
Are you prepared for the Tempest?
700 different sounds*
x4 round robin
100‘s of extra sounds
815 ableton presets
65 maschine kits
63 akai mpc
* The difference between a sound and a sample is that a sound exists conceptually. For example, this library contains 81 different snare sounds but (because of the round robin) we include +405 snare samples.
All samples are 24 bits – 44100hz wav format. This means they are virtually compatible with 99% of audio software devices.
Feel free to use this sample pack with hardware samplers such as elektron octatrack, digitakt, roland sp’s, or any software samplers.
REQUIRED FOR PRESETS:
Ableton 10.1.6 (or newer) (Live Intro compatible)
Maschine 2.10.1 (or newer)
Akai MPC1000 / 2500 or 2.0 software
FX Macro controls
38 drum rack devices
27 impulse devices
19 sampler devices with selectable sounds
700’s sampler individual devices
65 Maschine Groups
Samples & Group tags
WHY SHOULD WE CARE ABOUT DYNAMIC RANGE IN SAMPLE PACKS?
“For a start, compression and normalization are a process that is almost impossible to counter. Of course you can use expanders to regain some dynamic range, but the negative artifacts of compression and volume normalization will still be there.
If you think twice, most serious producers have their own set of preferred tools and dynamic processors So if you want to use dynamic sounds in say, a more “laid back” production, you just can’t do it with regular libraries.
When dealing with synthetic analog sounds, dynamics are key. Unlike real drum and instrument samples, synthetic sounds are already very undynamic, so having the option to “let them breathe” a bit is certainly a good idea.
It’s as close as having the machine yourself. The “real deal” doesn’t sound compressed, it breathes and it sounds RAW!”
– BORJA RUIZ & PEPE COCA
Analog Tempest synth engines sampled to detail
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