Fourth volume in our sampling series of iconic drum machines.
Our victim for this occasion has been the Analog Rytm, the very well known hybrid drum machine (analog + sampling) originated in Sweden.
We’ve naturally overlooked the digital part of the machine and exclusively focused on sampling the cream that nurtures from its analog components, which are highly versatile and offer a great deal of incredible sounds that can be further layered on your favourite DAW.
The result is a mighty collection of 100% analog sounds, that distance themselves from the renowned 808 and 909 to offer something more state-of-the-art with an extra touch of a ‘surgical’ Swedish personality, that will satisfy both Techno and House lovers, Hip-Hop beatmakers and Pop composers!
So, get ready to fill your sampler with the most cutting-edge analog sounds!
400 different sounds*
x 4 round robin
100’s of extra sounds
825 ableton presets
41 maschine kits
32 akai mpc
* The difference between a sound and a sample is that a sound exists conceptually. For example, this library contains 81 different snare sounds but (because of the round robin) we include +405 snare samples.
All samples are 24 bits – 44100hz wav format. This means they are virtually compatible with 99% of audio software devices.
Feel free to use this sample pack with hardware samplers such as elektron octatrack, digitakt, roland sp’s, or any software samplers.
REQUIRED FOR PRESETS:
Ableton 10.1.6 (or newer) (Live Intro compatible)
Maschine 2.10.1 (or newer)
Akai MPC1000 / 2500 or 2.0 software
FX Macro controls
32 drum rack devices
11 sampler devices with selectable sounds
(all sounds included in a patch)
+ hundreds of individual sampler devices
41 Maschine Groups
Samples & Group tags
WHY SHOULD WE CARE ABOUT DYNAMIC RANGE IN SAMPLE PACKS?
“For a start, compression and normalization are a process that is almost impossible to counter. Of course you can use expanders to regain some dynamic range, but the negative artifacts of compression and volume normalization will still be there.
If you think twice, most serious producers have their own set of preferred tools and dynamic processors So if you want to use dynamic sounds in say, a more “laid back” production, you just can’t do it with regular libraries.
When dealing with synthetic analog sounds, dynamics are key. Unlike real drum and instrument samples, synthetic sounds are already very undynamic, so having the option to “let them breathe” a bit is certainly a good idea.
It’s as close as having the machine yourself. The “real deal” doesn’t sound compressed, it breathes and it sounds RAW!”
– BORJA RUIZ & PEPE COCA
Analog Rytm synth engines sampled to detail
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