– 400 different sounds*
– 2200 WAV samples
– Minimum 4 Round Robin samples per sound
– 24 bits audio files
– 940 Mb
* The difference between a sound and a sample is that a sound exists conceptually. For example, this library contains 162 different sounds but (because of the round robin) we included +810 round robin samples.
– 825 Instruments including
– 32 drum rack devices
– 11 Sampler devices with selectable sounds (all sounds included in a patch + 100‘s Sampler individual devices )
– 41 groups
– 32 pgms
* All samples are WAV format. This means they are virtually compatible with 99% of audio devices.
Feel free to use this sample pack with hardware samplers such as Elektron Octatrack, Digitakt, Roland SPs, or any software samplers.
REQUIRED FOR PRESETS:
Ableton 9.7.7 (or newer)
Maschine 2.5.2 (or newer)
Akai MPC 1000/2500
RAW SERIES 4
Fourth volume in our sampling series of iconic drum machines.
Our victim for this occasion has been the Analog Rytm, a hybrid drum machine originating from Sweden, which you might already know.
We’ve naturally overlooked the digital part of the machine and exclusively focused on sampling the sounds that nurture from its analog components, which are highly versatile and offer a great deal of incredible sounds that can be further layered on your favourite DAW.
The result is a mighty collection of 100% analog sounds, that distance themselves from the renowned 808 and 909 to offer something more state-of-the-art with an extra touch of a ‘cold’ Swedish personality, that will satisfy both Techno and House lovers, Hip-Hop beatmakers and Pop composers!
So, get ready to fill your sampler with the most cutting-edge analog sounds!
Need new kicks? Don’t look no further!
We have punchy, round, clicky and wobbly ones
Need new snares to layer them with your acoustic ones? Stop scrolling around! From classic cutting snares with long decays to short claps and rim shots.
Hi-Hats? Percussions? We’ve got all that covered. There’s also Toms, Cymbals, FX, Bass sounds and more goods to make your rhythm section complete!
2200 samples / 400 different raw sounds / 352 layered sounds
Round robin technique x4 samples for extra realness
Tuned and arranged for instant fun
33 Ableton drum racks / Hundreds of sampler devices
41 Maschine groups
32 MPC pgms
Why should you care about dynamic range in sample libraries?
For a start, compression and normalization are a process that is almost impossible to counter. Of course you can use expanders to regain some dynamic range, but the negative artifacts of compression and volume normalization will still be there.
If you think twice, most serious producers have their own set of preferred tools and dynamic processors So if you want to use dynamic sounds in say, a more “laid back” production, you just can’t do it with regular libraries.
When dealing with synthetic analog sounds, dynamics are key. Unlike real drum and instrument samples, synthetic sounds are already very undynamic, so having the option to “let them breathe” a bit is certainly a good idea.
It’s as close as having the machine yourself. The “real deal” doesn’t sound compressed, it breathes and it sounds RAW!
– P. COCA